Grave Encounters 2 For their ghost hunting reality show, a production crew locks themselves inside an abandoned mental hospital that's supposedly haunted - and it might prove to be all too true.
Searching for a missing student, two private investigators break into his house and find collection of VHS tapes. Viewing the horrific contents of each cassette, they realize there may be dark motives behind the student's disappearance. When a group of misfits are hired by an unknown third party to burglarize a desolate house and acquire a rare VHS tape, they discover more found footage than they bargained for. When a team of explorers ventures into the catacombs that lie beneath the streets of Paris, they uncover the dark secret that lies within this city of the dead.
An investigation into a government cover-up leads to a network of abandoned train tunnels deep beneath the heart of Sydney. As a journalist and her crew hunt for the story it quickly becomes clear the story is hunting them. In order to ascertain the current situation inside, a supposed medical officer and a GEO team step into the quarantined and ill-fated apartment building. After experiencing what they think are a series of "break-ins", a family sets up security cameras around their home, only to realize that the events unfolding before them are more sinister than they seem.
In , young sisters Katie and Kristi befriend an invisible entity who resides in their home. A Los Angeles police chase sends a fame-obsessed man on a wild ride to save his girlfriend from a cybernetic terror.
An elderly woman battling Alzheimer's disease agrees to let a film crew document her condition, but what they discover is something far more sinister going on. It has been five years since the disappearance of Katie and Hunter, and a suburban family witness strange events in their neighborhood when a woman and a mysterious child move in.
When a young man becomes the target of a malevolent entity, he must uncover its true intentions before it takes complete control of him. For people who don't believe the events of Grave Encounters Grave Encounters, film student Alex Wright is out to prove them wrong. Alex is as obsessed with the first film as the 20 million people who viewed its viral trailer on YouTube. While he and his friends research the events and visit the real psychiatric hospital depicted in the original film, they find themselves face-to-face with unspeakable evil, banking on the hope that their knowledge of the original film will help them survive the sequel.
I haven't seen the first film, so I had no idea it was a found footage film. The first thing you need to even start liking such a movie is to have a liking for the found footage genre. If you don't, you won't enjoy it, no matter how good the movie is. Having seen all four Paranormal Activity films and one or two other found footage films, I was prepared for what was coming, so I didn't expect a good acting to begin with.
I knew it was going to be shabby and sound amateurish, because a found footage film is supposed to be like that. Professional performances would be a drawback for this genre, as it is intended to be make-belief. That being said, you can't really complain about "bad acting" in this movie.
After all, it is a plus. The most annoying thing about this movie however is that it takes too long for the good part to start, but when it does you're in for a half-scary half-laughable ride. The movie was a success at conveying the sinister nature of the ghosts beautifully.
The shaky camera was a little over the top for my taste. It actually gave me a headache. They didn't have to pull the wall-cameras off to capture everything on their shoulders. That would have been the solution for too many unnecessary shaky shots. I liked the role the cop played in the movie. I liked the sudden deaths.
Some of them were too violent for a ghost story, but I'd rather see it as an attempt at being scarier. The last 20 minutes was a drag. They should have cut the inessential scenes. For a found footage film, I think it was above average.
It had its moments, its thrills, and its flaws, like any other horror movie. Keep your expectations low, because making a satisfying horror movie is a real challenge these days. I haven't seen any good horror movies in or in for that matter. The horror movie industry is dying and that's a bitter truth we horror movie fans have to face. Enjoy a night in with these popular movies available to stream now with Prime Video.
Start your free trial. Films start at the advertised time. Doors open 30 minutes before. Tickets are issued at the Domain Theatre one hour before. Babes in arms not permitted. Film screening and talk: Midnight cowboy combines incisive character study, dense street realism and the courage to let silence speak. Voight plays handsome Joe Buck, who arrives from Texas to make his mark as a hustler only to be out-hustled by everyone else, including the crafty, sleazy Ratso Hoffman. The original book had been passed over as unfilmable by Hollywood studio readers before it came to producer Jerome Hellman.
On its release, Midnight cowboy was thought so radical, it was rated X in the US. Mean streets begins with a bold declaration of intent: You do it in the streets. You do it at home. Whether in this subterranean realm of male sociality or above ground in his childhood bedroom, the beating jangle of Italian folk music is ever-present.
The screening of The blank generation will be introduced by Philip Brophy, a filmmaker, musician and artist from Melbourne. The result is a fascinating snapshot of the birth of punk rock and the scuzzy aesthetics of its cinematic offspring. He attends Spanish night classes, reads philosophy and preaches the benefits of ballet to his fellow officers who, in return, initiate him into a hard-nosed world of payoffs and bribes.
Shot on location across Manhattan, the Bronx, Brooklyn and Queens, Serpico is a thrilling time capsule of s New York street life and the efforts of one police officer to clean up its dirty laundry. Wild style is the original hip-hop movie. Taxi driver represents a time in which major movie studios took risks and also heralds the end of the era of New Hollywood. Underrated director Sargent captures the collective paranoia of a nervous city in this acclaimed thriller about a four-man hijacking which grinds the subway to a standstill.
Dog day afternoon vividly conveys the feeling of crazy events unfolding in real time, an electrifying experience born of the collaboration of celebrated director Lumet and lead actor Pacino.
The film confines itself to limited locations. Most of the action takes place inside a bank during an ill-conceived robbery. Brilliant camerawork by director of photography Victor J Kemper makes a vital contribution to one of the finest American films of the modern age.
Rowlands is Gloria Swenson, a tough-talking ex-gun moll saddled with her young Puerto-Rican neighbour, Phil, after his family is knocked off by the mob.
The unlikely pair take to the streets of New York, playing cat-and-mouse with gangsters in hot pursuit. Cassavetes had a knack for subverting genre and Gloria is no ordinary chase film. By lingering on faces and backgrounds, we are drawn into the rich nuance of an off-kilter melodrama by a maverick director. Christine McLeod takes a job as a cashier at Variety, a porn theatre near Times Square, and develops an obsession with a male patron Davidson. As Gordon reflected in an interview: I used pornography as a backdrop to explore those themes in a noir-like story about a woman who looks back.
The premise of the newly restored film is deceptively simple. Clarke and her partner, actor Carl Lee, set up a camera. They ply the man before them — Holliday — with booze and provocative off-screen prompts. The screening of Born in flames will be introduced by Laleen Jayamanne, who taught cinema studies at the University of Sydney and whose publications include Kiss me deadly: When a comrade dies in police custody, the guerilla groups unite in collective action. This is an incendiary landmark of early indie, feminist and queer cinema, which offers speculative visions still alive today.
The king of comedy is a brilliantly bizarre fever dream of the cult of celebrity. Reprising the maniacal intensity of his earlier role as Travis Bickle in Taxi driver also screening in this series , De Niro plays Rupert Pupkin, an autograph-hunter and aspiring comedian whose frustration at the slow road to fame leads him to hatch an ingenious plan. With the assistance of fellow obsessive Masha Bernhard , Pupkin kidnaps his idol, late-night talk-show host Jerry Langford Lewis , and negotiates a cunning bargain which appears to catapult his celebrity.. Inyoung sisters Katie and Kristi befriend an invisible entity who resides in their home. Culture, Health and Sexuality. Underrated director Sargent captures the collective paranoia of a nervous city in this acclaimed thriller about a four-man hijacking which grinds the subway to a standstill. Your personal details will not be shared with those companies - we send the emails and you can unsubscribe at any time. Sexual addiction Sex Addicts Anonymous Sexual surrogate. Tourism and 'embodied' Commodities: It links you up to singles who are up for sex in your postcode, but remember — the more info you put on about yourself, the more you can see about .
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